Bio

outside the frame
below the surface
explor ing the margins

Herstory

The early years . . . growing up in a small, end of the line, north eastern seaside town, I found myself from an early age questioning our familial and cultural assumptions. Beginning to notice what would later become my strapline,

''curious about the stories we tell ourselves

and the tales we tell others' .

BA & Dip.Hum.Psych.

I was inquisitive about those perceived 'rules' applied to the then very binary choices, sex, jobs, sports, etc . . . or at least what was visible in a small, parochial, coastal town in the 1960's .

One definite rule for women and quite another for men.

That 'nice girls' didn't ask questions, and any potential lurking skeletons one inadvertently caught glimpses of, should remain, unquestioned, firmly kept under lock and key, and definitely, under no circumstances, ever mentioned!

At times it felt like growing up within the confines of an old black and white television set, frequent grey fog, ghosting and interference . . .

I was then, and remain still, curious about it all, and in the absence of answers, as a child, my response to this somewhat alien landscape, was to become increasingly disembodied, a coping mechanism that served me well, but left me, like many others, with the classic cartesian split, the mind / body dualism. Or in more contemporary language (2025), a frequent place of dissociation.

In this very particular corner of the country in the 1960s and of course, as a child, none of this I could articulate. Feeling separate from this strange and bewildering land, I found solace in nature.

Escaping as often as I could...

Down to those long beaches, where the sea, often lashed by that sharp east wind that held many a kite aloft in those wide skies. I found solace and connection as the seagulls called, and I, playing among the sand dunes., or running unconstrained aside the waters edge with a canine companion at my heels, felt a delicious sense freedom starkly at odds with the confines of my parents home. This, this was my saviour, during a mostly grey, confusing and often solitary childhood.

Teens and 20's - My teens took a familiar trajectory after an uncertain beginning, and I learned throughout those challenging years, I have a strong inner compass. One that kept me from going so far off track that I couldn't get back.

In my late teens I discovered ceramics, a truly embodied practice which was the perfect antidote to any possible wilder expressions, slowly helping me to return to my body as I began at 19 to train as a production thrower and decorator in a small studio pottery in Lincolnshire.

This led on to both a B/Tec High Diploma in Studio Ceramics in my mid 20's, working with and for other potters, and much later as I stepped into my 40's, a BA in Ceramics too.

This practice became the foundation from which I ventured forth to explore a range of arts practices, providing me with a sense of solid ground and the courage to explore. The arts, in their myriad forms, have been an integral part of my life ever since.

Jules Holland performing at Aberystwyth SU Ball.jpg

In my late 20's, through my 30's and 40's ~ it was working for 30 plus years in events and project management, tackling a range of roles in a myriad of settings.

Predominantly ,but not exclusively outdoors, it was these experiences that led me to become increasingly interested in how we are as human beings; the identities we create, the structures we design for ourselves and how we hold and share power.

These years deepened my interest in our human stories, and later, becoming increasingly curious about women's stories in particular. Beginning in the early 90's to work on various women projects, then later, coupled with becoming a mother . . .

… I studied for a Post Graduate Diploma / Masters in Humanistic Psychology entitled Leadership, Facilitation & Coaching, (2006 - 2008), leading to further explorations in the field of personal and professional development.

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My 40's and into my early 50's were spent juggling, mothering and studying, parenting and projects.

Experiencing the light and shade, being pulled and pushed, stretched and pummelled as I wrestled with primarily solo parenting whilst also building on other knowledge.

Diving in to eco-psychology, strengthening my ecological knowledge, building on my logistics skills through my deepening awareness of systems thinking, alongside developing my skills as a humanistic psychology practitioner.

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50's on . . . I began working with my skills interdisciplinarily.

Bringing Networking to Bristol and offering regular eco-psychology and environmental arts practice sessions working with another artist.

Building on previous experience I also began to shift how I worked with women's stories - changing from the training and facilitation work I had done intermittently for over 30 years, to broadening my practice across disciplines, culminating in my experimental residency in Jan 2017.

Working as a social artist with other practitioners having been awarded an Artists Residency at the old Jacobs Wells Baths in Bristol, I worked with a group of Bristol women to explore a range of issues. We partnered with UWE Photo Research Group producing an exhibition and a live performance.

Unpacking personal stories and exploring social change through play; deconstructing identities and cultural narratives we inhabit, from the day to day minutiae to the grander themes that can sometimes take on mythic proportions.

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2023 onwards . . .

In 2023/4 as I began to re-emerge after the intermittant 'stayathome' phase in 2020/21, my own post hands-on parenting recovery, and with my son now living independently. I began to look anew at my practice . . .

A significant part of this process is the recognition

that for me, working in and with nature is a critical part of my practice.

Being engaged with the elements,

and with the many and varied aspects

of ourselves as full sensate, expressional

human beings lies at the root

of what I bring...

. . . I began to offer out my long held skills of facilitation and coaching alongside tentatively inviting interest in a new series of small projects alongside my commercial driving work . . .

. . . However, as a woman who prefers to 'walk her talk', like all the best laid plans, I discovered there was more personal work to do in 2024. More attention needed to be paid to my whole self, to improving my own health and wellbeing, before I stepped fully forward into the world again with offers for others . . .